Hi Guys, I'm thinking
Hi Guys, I'm thinking
Last edited by cradeldorf; November 15th, 2012 at 03:47 AM.
I would say to the HF side of the crossover... BUT, what's the Frequency Kenneth?
I think that an appropriate xover point and slope are going to be important,
if you would like to keep the ribbons going strong, longterm...
depending on the crossover you have in place now, you may be able to adjust it -- or you may need to make some additional -- more invasive -- adjustments... or....
maybe running the ribbon in parrell with your HF driver;
with an additional capacitor inline to provide a 6db/oct filter, would do it....
(although I have no experience with them, my understanding is that the ribbons are somewhat fragile --
so I would suggest limiting low frequency energy to what is appropriate for the driver.....)
I am sure more knowledgable folks will chime in... lol
.........................
dave's not hear
Before the L-pad. The ribbon will likely have lower sensitivity than the CD/horn.maybe running the ribbon in parrell with your HF driver;
with an additional capacitor inline to provide a 6db/oct filter, would do it....
Cradle, post some specs or the model of your ribbons so folks can give more concise responses.
There must still be a fixed pad of some type, no? as the 604 HF and LF sections don't have the same sensitivity.
Sounds like a good plan to me. That way you don't lose that classic 604 sound--you're just enhancing it's high end response (with the tweeters added, the h.f. will roll off way past where you'll be able to hear it). Not to mention, the woofer in your 604 will never play all the way up to the ribbon tweeter--you'll need the horn to go down to 1600 hz.....
Last edited by voice of the theater; February 7th, 2012 at 09:18 PM. Reason: Yes, there was a reason for editing ;p
Being of "Sound" Mind
I question R1 being parallel in the woofer circuit. I think it should be across the HF circuit. If that's the case, then that series/parallel resistor arrangement of R1 and R2 would be your fixed pad simulating an L-pad "locked" in one specific position. But i'm not familiar with this network so can't say for sure.
My advice with a ribbon as delicate and valuable as the Aurum would be to bring it in up high, maybe 8khz to 10khz with a simple first order(single cap in series) XO. I'm assuming that you're looking to fill in that "sparkle" in the top octaves, and i think this arrangement could go a long way in doing that.
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